Yuba River, Nevada City, California |
We are stardust. We
are golden. And we’ve got to get ourselves back to the garden.
Stills and Nash form Woodstock Era.
The first things that strike me are the pictures and
carvings and poems of the master and his lineage. All over this land. No matter where I walk
or stop, a reminder is emblazoned on the wall or in the garden stone. A quote. A sacred symbol. Photographs. Why all
the images of men and women? I am judgmental and afraid, at first, because I have been let
down and disappointed by people over and over. But is that really the reason I
recoil? I also am curious.
For years I’ve pontificated that The time for the guru is
over. We have enough experts and parishioners worshiping books more than love. I repeat the well worn phrases of my reticence out loud as I gaze at Yogananda’s
carved face resting on the garden altar. You are just a person, like me.
"Then why do I continue to be drawn to gazing at you?" I ask
Yogananda? Like a memory in stone… me being the stone in my rigidity and him
being like a memory that surfaces in my body and mind.
So I sit back and recognize how I feel stirred up, resistant
to the statues and songs floating in the air. The sun light falls through the burning
leaves of the autumn maple. I think “I can look at these images from any angle
I choose.”
The sun is tranquil and so quiet in its mighty fire. It is always there, burning, seemingly eternal. But do I really see the sun for what it is? Do I feel it, sense it, thank it? Or is it just a metaphorical bridge in a poem or thought (like here?) And what’s so wrong or right about a bridge into seeing deeper into life? Is that what the statues are? Bridges? Or distractions? Or tools and prompts to remember our divinity?
The sun is tranquil and so quiet in its mighty fire. It is always there, burning, seemingly eternal. But do I really see the sun for what it is? Do I feel it, sense it, thank it? Or is it just a metaphorical bridge in a poem or thought (like here?) And what’s so wrong or right about a bridge into seeing deeper into life? Is that what the statues are? Bridges? Or distractions? Or tools and prompts to remember our divinity?
Then I stop the queries for a moment. I am here to re inhabit
my body, to reinvigorate my health and to feel safe with other people. I long
to do these things so that when I return to the outside world I can be the
memory of the sun, too. I can be the stone, filled with mid-day fire. Warm,
even in the cold nights to come. Ah, more metaphors. Perhaps that all human
language has. Metaphors of what is holy.
Finally I rest back against the statue, the stony heat warming in the sun. I commit to
be present as I can, for a long period of silences like the sun is silent, like
Yogananda’s statue, silent.
I want to emanate light.
Light that is not afraid to grieve the losses that bring me closer to breaking through the stony surfaces. I want to b less drugged by my thoughts. Not thoughtless. But freer to catch the judgments as they wisp by in the wind. Just to be here for moments, until I am everywhere in the sun.
Light that is not afraid to grieve the losses that bring me closer to breaking through the stony surfaces. I want to b less drugged by my thoughts. Not thoughtless. But freer to catch the judgments as they wisp by in the wind. Just to be here for moments, until I am everywhere in the sun.
Peace
Rick
Copyright Richard Sievers, November 2012
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